Tag Archives: PS4

Cyberdimension Neptunia: Introduction and History

The Neptunia series is not only one of the most remarkable success stories in Japanese gaming, it’s also one of the most interesting, diverse franchises out there.

From its humble beginnings as a low-budget RPG with an atrocious critical reception to its current, widely recognised status inextricably associated with Sony platforms, even the most hardened cynic has to admit by now that there’s probably something to this series.

A big part of what has kept Neptunia fresh and interesting over the years is the fact that it’s not afraid to step outside of its traditional RPG comfort zone and experiment with gameplay styles. And, since we already explored the history of the mainline series when we dove deep into Megadimension Neptunia V-II back in 2016, it’s these spinoff games we’ll be looking in more detail today.

Continue reading Cyberdimension Neptunia: Introduction and History


The MoeGamer Awards: Game of the Year 2017

The MoeGamer Awards are a series of made-up prizes that give me an excuse to celebrate games, concepts and communities I’ve particularly appreciated over the course of 2017. Find out more here, but you’re out of time to leave me suggestions, I’m afraid!

Well, here we are on the last day of 2017, and I don’t know about you, but I’m feeling something of a sense of anti-climax after what has been an extremely chaotic and interesting year in many ways. Still, what better way to see out the old year than with a completely arbitrary declaration of what the “best” game of 2017 was?

This was an extremely tough decision, particularly as I’ve always said these awards were based on what I played in 2017, not necessarily what was released in 2017. But, as it happened, the two front-runners happened to both come out in 2017, so that all works out pretty nicely, doesn’t it? So which one did I pick? I’m sure you’re on the edge of your seats.

And the winner is…

Continue reading The MoeGamer Awards: Game of the Year 2017

The MoeGamer Awards: The Second Chance Award

The MoeGamer Awards are a series of made-up prizes that give me an excuse to celebrate games, concepts and communities I’ve particularly appreciated over the course of 2017. Find out more and suggest some categories here!

Today’s award is pretty simple: it reflects a game I gave a second chance to, and ended up being extremely glad that I did.

It’s often worth revisiting things that you bounced off some time ago, as you may well find that changes in your outlook and tolerance for certain things may change over time. Of course, in this digital age, there’s also the possibility that games might be patched and improved over time, too — and, as in the case of today’s game, there may also be superior ports down the road to improve the overall experience, too.

And the winner is…

Continue reading The MoeGamer Awards: The Second Chance Award

Everybody’s Golf: First Impressions

I’ve been intrigued by golf games since Leaderboard on the Atari 8-Bit, and I sank a fair few hours into Microprose Golf on the Atari ST, wowed by its then-revolutionary 3D polygonal courses.

However, the games that truly cemented my love of this genre of games — although not the actual sport itself, which I find impossibly difficult to play and rather tedious to watch — were Camelot’s Mario Golf on the Nintendo 64, and Bottom Up’s Tee Off on Dreamcast. I didn’t play the Everybody’s Golf series on the early PlayStations — my first encounter with it was the Vita game — but I’m certain it would have appealed to me, because it tickled those same happy places that Mario Golf and Tee Off did by providing friendly, accessible and surprisingly fast-paced arcade-style golf action.

With that in mind, then, let’s take a look at the new PS4 installment, the latest in the line of long-running series to ditch numerical suffixes and subtitles in favour of just being called what it is.

Everybody’s Golf, then.

Continue reading Everybody’s Golf: First Impressions

Stormblood: This Ain’t No Action RPG

Today we’re going to take a closer look at Final Fantasy XIV’s combat mechanics, and how they’ve been refined between the original release of A Realm Reborn and Stormblood.

For those who’ve never played a massively multiplayer online RPG before, Final Fantasy XIV’s mechanics may require a bit of an adjustment, as they’re rather different from the various systems the series has used in the past. But for those familiar with other popular MMOs such as World of Warcraft, the game will quickly become second-nature — with a few important distinctions from the conventions of the genre.

Perhaps the most interesting thing about Final Fantasy XIV’s mechanics is that, although clearly inspired by the way a popular Western title has done things, there’s a strong feeling of “Japaneseness” to them that gives the game a very strong sense of its own identity, making it a unique experience even to MMO veterans.

Continue reading Stormblood: This Ain’t No Action RPG

Shmup Essentials: Ghost Blade HD

Those with a longstanding interest in the worldwide shoot ’em up scene may well be familiar with German developer Hucast Games.

A developer primarily known for helping resurrect Sega’s defunct Dreamcast platform for modern audiences through the release of original, new arcade-style games for the system, Hucast’s work has had mixed reception over the years — though not necessarily entirely due to the quality of the games themselves, as this article from Segabits in 2015 explains in more detail.

As we move further into the “digital age”, however, it becomes a lot easier for developers such as Hucast to ply their trade — and, should mistakes occur, to correct them. Which is how we now find ourselves, two years after its original Dreamcast release, with an HD version of Hucast’s shmup Ghost Blade for Windows PC, PS4, Wii U and Xbox One.

And hey! It’s really good.

Continue reading Shmup Essentials: Ghost Blade HD

Gravity Rush: A Hero is Born

The original Gravity Rush was an important release for Sony’s Vita handheld: it was a high-profile, first-party release, which the system has not, to date, seen all that many of, and is unlikely to see any more.

It was positively received at the time of its original release by press and public alike, but Sony’s consistently poor marketing of the platform — coupled with a general sense of apathy by the more “mainstream” parts of the gaming community — meant that it passed a lot of people by.

And that’s a great shame, as it was an excellent game. Thankfully, Bluepoint Games managed to give it a second chance on the much more popular and widespread PlayStation 4 in the form of enhanced port Gravity Rush Remastered, so a whole new audience can discover the joy of swooping around Hekseville.

Continue reading Gravity Rush: A Hero is Born