As we’ve already established, Qute’s Eschatos is an absolutely fabulous shoot ’em up that every fan of the genre should have in their collection.
Its predecessors are still very worthwhile games in their own right, too; while technologically rather more primitive than the 60fps cinematic polygonal action of Eschatos, their 2D pixel art and chiptune soundtracks have a great deal of charm to them — and, most importantly, they’re damn fun to play.
Today I wanted to particularly look at Cardinal Sins, one of the two games that eventually begat Eschatos. Technically a freeware spinoff of Eschatos’ true predecessor Judgement Silversword, Cardinal Sins is arguably the most interesting of the two games, for reasons that will become apparent.
Continue reading Shmup Essentials: Cardinal Sins
Although it’s been rather quiet for a while, the Japanese company Cave has long been known as one of the best developers of modern shoot ’em ups out there.
With most of their titles falling into the danmaku (“bullet hell”) subgenre, their titles have a reputation for being challenging and punishing but highly polished, combining solid mechanics with absolutely beautiful presentation and a delightful blend of “old and new”.
Deathsmiles is one of the company’s most well-regarded recent works, and is a great example of what “frantic shooting” is all about — not to mention a fine showcase for Cave’s mastery of game mechanics that go far beyond simply “shoot everything and don’t die”.
Continue reading Shmup Essentials: Deathsmiles
Any self-respecting gamer knows that if you really want to impress someone with your dexterity and prowess, you don’t fire up a Souls game, you fire up a bullet hell shmup.
Notorious for their screen-filling bullet patterns that seemingly demand superhuman reflexes to navigate, bullet hell (or, to give them their more “proper” name, danmaku) shoot ’em ups are a frightening prospect to get involved with. But you might be surprised at quite how approachable some of them are.
One such example of a danmaku shmup that is both accepting to genre newcomers and monstrously challenging to veterans is Gundemonium Recollection from Japanese doujin circle Platine Dispositif, originally localised for PS3 and PC by Rockin’ Android. It’s a game that isn’t afraid to slap you about a bit, but also a good place to familiarise yourself with some conventions of the genre.
And, well, it’s just a really good game to boot, too.
Continue reading Shmup Essentials: Gundemonium Recollection
I’m a big fan of unconventional JRPGs that buck the trends of the genre.
That’s not to say I don’t have any love for good old “ATTACK, MAGIC, ITEM” — quite the opposite, in fact — but when something combines the strengths of the JRPG genre (strong characters, heavy focus on narrative, over-the-top drama, colorfulness) with some fun mechanics from another type of game altogether, I sit up and pay special attention.
Fortune Summoners: Secret of the Elemental Stone, then.
This article was originally published on Games Are Evil in 2012 as part of the site’s regular Swords and Zippers column on JRPGs. It has been republished here due to Games Are Evil no longer existing in its original form.
Continue reading From the Archives: Secret of the Elemental Stone
With the rise in free-to-play mobile games, the humble standalone puzzle game has become something of a rarity.
That’s not to say that they don’t exist at all any more, however, and, more to the point, puzzle games as a genre generally age a whole lot better than other types of game due to their abstract mechanics and non-reliance on realistic graphics.
With that in mind, then, let’s kick off a regular look at puzzle games from both yesterday and today to run alongside the other Essentials columns for Wii U games and shoot ’em ups.
First up for examination is a modern title from Grisaia developer Frontwing, loosely based on their unlocalised Pure Girl and Innocent Girl visual novels: Purino Party.
Continue reading Puzzler Essentials: Purino Party
There’s an assumption among certain parts of the gaming community that you need a big budget and a massive team to make something that looks amazing.
This is nonsense, of course, and nowhere is this more apparent than in the output of Japanese doujin circle Edelweiss, who have, to date, put out three exceptional (and exceptionally beautiful) games, each of which demonstrates a clear understanding of how to produce something that both looks spectacular and plays incredibly fluidly, in the grand tradition of arcade games.
Edelweiss’ most recent release is Astebreed, a shoot ’em up that began its life on PC but was subsequently ported to (and enhanced for) PlayStation 4. And it’s one hell of a game that any shmup fan should be proud to have in their library.
Continue reading Shmup Essentials: Astebreed
MyDearest’s visual novel School of Talent is in a similar situation to minori’s beautiful Supipara in that it’s the first in a series that doesn’t quite exist as yet.
In the case of both Supipara and School of Talent, the complete narrative work clearly exists as a concept that has been carefully considered, planned and fleshed out — just not yet explored from every possible angle. And in both cases, this fact doesn’t stop them from being highly enjoyable, touching and self-contained narrative experiences in their own right.
School of Talent is a little more up-front about its long-term intentions than the rather mysterious and ethereal Supipara, however, with that prominent Suzu Route subtitle on the first installment making it abundantly clear which of the girls on the cast the narrative is primarily going to be concerned with. And, while School of Talent’s overall cast of heroines is pretty consistently strong, the eponymous Suzu turned out to be a good focal point for this (potential) series’ debut.
Continue reading School of Talent – Suzu Route: A Song of Joy