I have a strange relationship with the Nintendo 3DS. I often find myself thinking of it as one of my least favourite gaming systems for numerous reasons… but every so often I’m reminded about the things that make it unique.
Sure, there’s the first-party Nintendo stuff that provides obvious uniqueness, but another aspect of the 3DS that is not discussed nearly as much as it deserves is the amount of interesting, creative and downright weird download-only games buried in the eShop.
Many of these games are published by a company called Circle Entertainment, and they run the gamut from retro-inspired arcade titles to highly creative puzzles and adventures. The subject of today’s piece very much falls into the latter category.
Continue reading Puzzler Essentials: Puzzle Labyrinth
A common criticism raised by people who have arbitrarily decided for one reason or another that they are “anti-Nintendo” is that the company relies too much on rehashing old ideas, particularly when it comes to its “big” franchises.
This is, of course, nonsense, and nowhere is this more apparent than in the company’s flagship Super Mario series. The portly plumber’s past few adventures have included a simple but enjoyable mobile game that eschews gacha nonsense in favour of accessible mechanics, a full-on construction kit with online functionality, a vast but highly accessible, level-based 3D platform adventure with the option to play in cooperative multiplayer and a challenging 2D platform adventure later expanded with an even more difficult set of levels. And this is to say nothing of how the series has continually reinvented itself over the years.
Super Mario Odyssey for Nintendo Switch continues Mario’s proud tradition of starring in an enormously varied series of games that cater to the tastes of both casual and hardcore gamers alike. And it’s one of his best games to date.
Continue reading Switch Essentials: Super Mario Odyssey
One of the core attractions of a handheld games system is the fact that you can take it anywhere.
While it’s awesome to be able to play deep experiences like Xenoblade Chronicles 2 on the go, an important aspect of a successful handheld’s library is a selection of simple “pick up and play” games that can while away a few minutes rather than a few hours. If you’re out and about, you don’t necessarily want to get stuck into a sprawling RPG, after all, so it’s good to have something on hand to fire up when you just want to play something.
This corner of the market has been dominated by smartphones and tablets for the past few years. But the Switch is showing it has plenty of solid offerings in this department, too — and best of all, many of these titles don’t have exploitative free-to-play mechanics attached.
Continue reading Switch Essentials: SkyPeace
Arcade-era Namco was good at sequels. Not from a story perspective, mind — the sequel to “shoot the aliens” tended to be “shoot more aliens” — but definitely from a mechanical perspective.
One of the best things about arcade-era Namco’s handling of sequels was that they remained recognisably true to their source material while innovating in their own right. Galaga ’88 (also known as Galaga ’90, Galaga ’91 and Galaga 2 depending on where and how you played it back in the day) is one of the best examples of this, as the fourth installment in the Galaxian series.
Galaxian built on the basic premise of Taito’s Space Invaders by featuring a more dynamic arrangement of enemies. Galaga built further on this format with more dramatic enemy formations and movements. Gaplus — one of the few games in the series to not get many home ports, particularly back in the day — added powerups and vertical movement. And Galaga ’88… well, read on.
Continue reading Namco Essentials: Galaga ’88
Super Qix is an immensely irritating follow-up to an immensely irritating game.
And, like all the really good immensely irritating games of the world, there’s a magic ingredient in there that keeps you coming back for more.
Super Qix is also an interesting game from a historical perspective, in that it’s a game that Japanese developers decided to build on after an all-American original.
Continue reading Taito Essentials: Super Qix
I enjoy beating games, particularly when they have a good story and especially when they have a dramatic finale.
But sometimes it’s nice to have a game on hand that you can just dip in and out of pretty much indefinitely. Arcade-style games fill this niche pretty nicely, but it’s also cool when you find something with a bit more in the way of “persistence” — something that you can continue playing over time and continue to discover new things about.
Recently, I fired up Dungeon Explorer by Hudson for the PSP, a spiritual successor (and, technically, prequel) to the company’s 1989 PC Engine/Turbografx classic of the same name. And… I think I’m going to be playing this game for a long time.
Continue reading PSP Essentials: Dungeon Explorer
One aspect of gaming we’ve lost sight of a bit over the course of the last couple of console generations is the idea of a game that is “nothing but fun”.
I’m talking about mechanics-centric games where the aim is to just have a good time and challenge yourself; games that aren’t trying to “say something”; games that aren’t trying to be artistic in a narrative sense.
This kind of game hasn’t died out completely, of course, but at the time of writing they remain primarily confined to the independently developed, digital-only sector. Capcom’s Under the Skin for PS2, meanwhile, reminds us of a time not so long ago (2004) when this type of experience would get a full retail release and no-one would bat an eyelid.
Continue reading PS2 Essentials: Under the Skin