Category Archives: Switch

Tokyo Xanadu eX+: Falcom’s forgotten gem

Falcom make some absolutely fantastic games, but speak to a self-professed “Falcom fan” and they’ll almost certainly only want to talk about the Trails series — or, more likely, “Kiseki”, because as we all know, referring to something with its original Japanese title rather than a widely accepted localised version makes you a Better Fan Of The Thing.

That’s a real pity, because while Trails is an amazing series — and one I’m fully intending to binge at some point, right from Trails in the Sky through to Trails Through Daybreak and beyond — Falcom is far from a one-trick pony. There’s the Ys series, for starters, which we’ve already talked about at length on this here site, and then there’s “everything else”.

Tokyo Xanadu eX+, of course, falls into this latter category. It’s technically part of the Xanadu series, but Falcom’s intentions for this game mean that it might as well be considered as its own self-contained thing, and as such can be enjoyed completely on its own merits. So let’s take a closer look!

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Princess Peach Showtime: a short run on stage, destined to be forgotten

I finished Princess Peach Showtime last night, and I came away with a resounding feeling of “that was all right”.

It was decent. It was fine. It was okay. I enjoyed it well enough. But it didn’t set my world alight. At the same time, it wasn’t bad. I didn’t hate it. I don’t feel the need to rant and rave about things it may or may not do “wrong”. It was just… fine.

That’s a bit of a shame, though, given that this was the first time Peach had taken the starring role in a game since 2005’s Super Princess Peach on Nintendo DS. I’m not entirely surprised that Princess Peach Showtime ended up being how it is, particularly after playing the demo, but I do feel like there could have been a bit more to it. So let’s talk about that!

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Princess Peach: Showtime! – some impressions from the demo

I like Mario games, but I enjoy it more when Nintendo gives their other characters a bit of time to shine independently of the portly plumber. Which is why I’m so intrigued by Princess Peach: Showtime!, a game that seems to have been attempting to distance itself from the “platformer” designation in favour of… what?

Well, a demo came out for it yesterday, so I downloaded it today and gave it a play over lunchtime. The demo is pretty brief, consisting of just the game’s introductory sequence and two individual levels — one for Peach in her Swordfighter costume and another in her Patissiere outfit — but it was enough to intrigue me.

Let’s take a closer look, and ponder what I hope to see in the full game when it comes out later this month.

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Another Code: Recollection – the way remakes should be

The timing of Another Code: Recollection’s release — shortly after Sony’s hyped-up but completely superfluous and unnecessary The Last Of Us Part II Remastered — is kind of hilarious.

And this game starkly highlights the difference between (let’s not beat around the bush here) a cynical cash grab of a “remaster” and a full-on remake that brings an oft-forgotten game (or pair of games, in this case) to a whole new audience, divested of the less desirable aspects of the baggage that came with its original context.

Another Code: Recollection, in other words, is an excellent example of how to do a remake of a game. And whether or not you played the original Nintendo DS and Wii games in the series by the dearly departed developer Cing, it’s a very worthy use of your time to play the Switch version. So let’s take a closer look.

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A comprehensive review of Mary Skelter 2 after spending almost exactly 100 hours completing it

One of the nice things about having your own website is that you can take your time over things you want to write about rather than rushing through them in order to meet a deadline. And I knew as soon as I started Mary Skelter 2 that I wanted to take my time over it.

100 hours of gameplay later, and I’ve finally beaten it. So I think it’s time that we talked about it in great detail. Because whew, there is a lot to talk about, and I’m certain that I’m going to miss at least a few things that struck me along the way. (I reserve the right to add to this piece as I think of things!)

I know I’ve written a few pieces about this game already, but I intend this piece to be a full, summative roundup of my experiences with the game and my overall thoughts on it. So let us begin.

Continue reading A comprehensive review of Mary Skelter 2 after spending almost exactly 100 hours completing it

Gaming on a Schedule, Day 6: More Mary Skelter 2

And so, we return to my current “Big Game”: Idea Factory and Compile Heart’s excellent Mary Skelter 2, which I’ve been gradually ploughing through for quite some time now.

I really love dungeon crawlers. Something about the way they work just speaks to my brain. I think it’s the inherent satisfaction of gradually uncovering a map and discovering things.

In a good dungeon crawler, you’re always moving forwards and finding something new, and it’s satisfying to uncover a chunk of map even if all you discover is a complete dead-end.

Continue reading Gaming on a Schedule, Day 6: More Mary Skelter 2

Gaming on a Schedule, Day 3: Making progress with Mary Skelter 2

I am, if it were not already clear, really enjoying Mary Skelter 2. It’s a really solid dungeon crawler with some great characters, well-designed dungeons and some absolutely magnificent use of the concept of “risk versus reward”.

It is long, as modern dungeon crawlers tend to be, but what I have found with it is that once I sit down and play, time absolutely flies by. It’s not uncommon for me to play what feels like a little bit, only to save my game and discover that several hours have passed.

This is good, because it means that I can make solid progress in it without it feeling like a drag. And this is partly the reason why I wanted to set some specific time aside for it each week.

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Groove Coaster Wai Wai Party!!!!: Rockin’ Out With the VTubers and Vocaloids

The original Groove Coaster, which released on iOS in 2011, was a revelation. It was an accessible yet challenging rhythm game that made excellent use of its touchscreen control method — and which beautifully demonstrated how a completely abstract aesthetic can be just as thrilling and enjoyable as a detailed, realistic one.

While the series isn’t as well-known today as it was during the initial fever for it when it first appeared on the scene, it’s been quietly rumbling along for a decade at this point, taking in several sequels for both mobile phones and arcades, a Steam release for PC in 2018 and, towards the end of 2019, a special Switch version subtitled Wai Wai Party!!!!

At fifty quid, Groove Coaster Wai Wai Party!!!! may look a tad pricey for a downloadable game to the casual observer, and I must confess I’d put off checking it out for far longer than I should have because of this. But having been generously given some eShop credit as a leaving present from my old job, I figured it was high time I gave it a look for myself. So let’s explore it together!

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Rod Land: A Personal Story

As I type this, one of my longstanding gaming prayers has just been answered: Jaleco’s Rod Land, one of my favourite games of all time, has just got an Arcade Archives release on Switch and PlayStation 4. This is, to my knowledge, the first time the original arcade game has ever been rereleased on any platform. It even lets you start straight at the “sequel” set of levels if you want to.

I’ve written about Rod Land before — as well as showing the excellent Atari ST version in the Atari A to Z series — but what I haven’t done is share a personal story about why this game is especially important to me. And why, in retrospect, the first time I encountered it was probably a defining experience for me, not just in terms of gaming, but also in terms of things like self-expression, self-perception, taste and perhaps even a touch of gender identity, too.

So indulge me a moment, dear reader, and I’ll tell you why Rod Land means so much to me.

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Crawlco Block Knockers: Getting Lewd on the Switch

There’s been a quiet revolution happening in gaming over the course of the last year or so. You won’t read much about it in the mainstream games press, for a variety of reasons, but it’s absolutely been happening.

I’m talking about the growing acceptance of games with adult content on home console platforms. More specifically, Nintendo’s seeming willingness to embrace this side of things considerably more than either of its key rivals in the console business — particularly Sony, who have been notoriously heavy- handed with what content they will and won’t allow on their platforms in the last few years.

While we’re still a way off getting fully uncensored, sexually explicit eroge on the Switch, we can at least enjoy games with a cheeky sense of sexuality and eroticism about them on Switch. And, as I type this, the latest game that falls into this category is Eastasiasoft’s port of the excellent Crawlco Block Knockers by Cosmi Kankei. Let’s take a closer look!

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