I finally beat Final Fantasy VII Rebirth! It took me a grand total of 101 hours, and while I didn’t do absolutely everything in the game, I did a significant proportion of all the available stuff.
I enjoyed it a lot, overall. It’s a well-crafted game that pays nice homage to the original while doing a lot of new things that are distinctively its own. And while I won’t spoil the ending in this introduction, it was an intriguing and thought-provoking conclusion that we’ll talk a little more about later in this piece in a clearly spoiler-demarcated section.
So let’s have a look back over the game as a whole, and see what’s what, shall we?
Poor old Alone in the Dark has been through the wringer over the years.
First released on MS-DOS PC in 1992, it garnered critical acclaim for its innovative gameplay, presentation and wonderful atmosphere, and remains an essential play for anyone interested in the history of the survival horror genre. Without the original Alone in the Dark, we may not have had the Resident Evil series — at least not in the form it took in its early years.
Subsequent entries struggled to live up to the legacy of their predecessor, however… particularly when various companies attempted to “reboot” the franchise on several occasions in the intervening decades. But now Alone in the Dark is very much back on track, thanks to yet another reboot, this time developed by Pieces Interactive and published by THQ Nordic. Let’s take a closer look.
I rolled credits on Granblue Fantasy: Relink after about 20 hours of play. That might sound short for an RPG — and it is, by modern standards — but reaching the end of that main story is also potentially far from the end of your time with the game.
We’ll explore that side of things in more detail another day (mostly because I haven’t really delved into the “endgame” as yet) so today we’re taking a look at the gameplay experience while you’re playing through the main scenario.
Without wishing to spoil things too much, I had a great deal of fun playing through Granblue Fantasy: Relink. So let’s take a closer look at exactly why this game works so well.
I’ve been looking forward to Granblue Fantasy: Relink for a while, despite its seemingly troubled development cycle.
Ever since I spent some time playing the original mobile version of Granblue Fantasy, I’ve been hungry for the setting and characters to be adapted into a full-scale, not-free-to-play, not-mobile game. Because of all the mobile games I’ve spent some time with over the years, Granblue Fantasy is still one of the best in terms of the effort that has gone into its presentation and setting.
Ultimately, though, it was still a mobile game, and as such its appeal to me waned as the grind — or the temptation to spend money — ramped up. So does Granblue Fantasy: Relink provide what I wanted from a “proper game” adaptation of the franchise? Let’s take a closer look, based on a few hours of play.
At the time of writing, we’re counting down to the long-awaited second part of the Final Fantasy VII Remake project, which we now know is called Final Fantasy VII Rebirth.
That’s not all we know, in fact; we know that this second game is going to conclude in “The Forgotten Capital”, which is where the first disc of the original game ended. Yes, with that scene — though as we’ve previously discussed, Final Fantasy VII Remake took great pains to point out that “the future is a blank page”, and that game’s final encounter was literally facing down the concept of “Destiny” itself.
Anyway, long story short, I’ve been revisiting Final Fantasy VII Remake ahead of Final Fantasy VII Rebirth’s release, so I thought I’d talk a bit about my experiences so far.
I am, as I have spoken about numerous times previously, not good at strategy games with a competitive component. But I have always enjoyed a distinct offshoot of the strategic genre: the management sim, in which you tend to mostly be competing against “yourself”.
Ever since I first played SimCity on Super NES — a game that I wasn’t sure I’d enjoy when I first got it for Christmas as a kid, but which I ended up loving — I’ve found great value from games where you get to “play God” to varying degrees, having the opportunity to express your creativity within the constraints of a set of game mechanics.
And the latest of these I’ve found myself having fun with is Sega’s Two Point Campus, the follow-up to their successful riff on Bullfrog’s Theme Hospital, Two Point Hospital.
