Tag Archives: music

The Music of Atelier, Vol. 5: Mana Khemia 2 – Fall of Alchemy

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It’s almost time to bid farewell to the PlayStation 2 era of the Atelier series — but not before we’ve spent some time celebrating the music of the game that ended this distinct era in the series’ history.

Mana Khemia 2: Fall of Alchemy features some magnificent tunes to accompany the action, building on the good work that Gust’s sound team did in Atelier Iris 3: Grand Phantasm and Mana Khemia: Alchemists of Al-Revis while bringing a few of its own distinctive stylistic aspects to the table, too.

Without further ado then, crank up that volume (or plug in some good headphones) and let’s get listening!

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The Music of Atelier, Vol. 4: Mana Khemia – Alchemists of Al-Revis

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As has become MegaFeature tradition, now we’ve finished exploring Mana Khemia: Alchemists of Al-Revis from mechanical and narrative perspectives, it’s time to celebrate the sterling work of Gust’s sound team with a look at its soundtrack.

Mana Khemia: Alchemists of Al-Revis is the second game in the Atelier series to make use of pre-recorded streamed music rather than real-time synthesised, sequenced music. We were already starting to get a strong feel for the distinct audible aesthetic lead composers Ken Nakagawa and Daisuke Achiwa were aiming for with the series in Atelier Iris 3: Grand Phantasm, but Mana Khemia: Alchemists of Al-Revis and its sequel further codify many of the musical conventions of the series.

These conventions would remain in place as Atelier bid farewell to the PlayStation 2 and jumped to the next generation with the Arland trilogy. So let’s dive into some highlights from Mana Khemia’s score!

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The Music of Atelier, Vol. 3: Atelier Iris 3 – Grand Phantasm

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It’s time to once again return to the wonderful world of Atelier music, this time with a look at Atelier Iris 3: Grand Phantasm’s soundtrack.

Atelier Iris 3: Grand Phantasm was a noteworthy installment in the series from a musical perspective, because it marked the point where Gust’s sound team switched from using synthesised, sequenced music to streamed prerecorded music. This allowed them considerably more flexibility to put together more elaborate compositions and make use of more realistic sounds.

So turn up the volume and let’s have a good listen to find out exactly what that means!

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Atelier Iris 3: Grand Phantasm – A Step Forward

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In 2006, a year after Atelier Iris 2: The Azoth of Destiny, Gust released Atelier Iris 3: Grand Phantasm in Japan; it would be another year after that before Western players would get their hands on it.

Atelier games are a fixture in developer Gust’s calendar; each of the duologies and trilogies that make up the complete franchise have enjoyed annual installments, and indeed the first Atelier Iris’ release in Japan in 2004 marked the beginning of a streak of yearly releases for the series as a whole that lasted until 2017. The company, of course, made up for the lack of an Atelier game in 2018 by releasing three in 2019, but, well, that’s a story for another day.

What’s kind of remarkable is that despite this non-stop release schedule, each Atelier game, even within the same subseries, feels noticeably distinct from the last. And this is particularly apparent when it comes to Atelier Iris 3: Grand Phantasm. So let’s look at how this moves the series forwards.

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Super Castlevania IV: The Quintessential SNES Game

One thing I feel like we’ve lost somewhat over the procession of console generations we’ve lived through is a feeling of “uniqueness” for each platform.

Sure, Nintendo still does its own thing and its games are immediately recognisable, but I’m talking more about a very clear look, sound and feel of games on a specific platform; partially a product of the hardware itself, and partially that of the companies specifically choosing to produce work for that platform in particular.

I hadn’t really spent a lot of time with Super Castlevania IV for Super NES until recently, but within about five minutes of delving into it in earnest thanks to the Castlevania Anniversary Collection for Switch, Xbox One, PS4 and PC, I’m absolutely convinced that it is the perfect example of what a SNES game really “is”.

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The Music of Atelier, Vol. 2: Atelier Iris 2 – The Azoth of Destiny

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It’s time once again to spend some time in the company of Gust’s wonderful sound team and their sterling work on the Atelier series.

This time around, we’re looking at the soundtrack for Atelier Iris 2: The Azoth of Destiny. The music is once again the work of Gust regulars Daisuke Achiwa and Ken Nakagawa, the latter of whom in particular has become heavily associated with the Atelier series over the years.

Conveniently, copies of Atelier Iris 2: The Azoth of Destiny came with a bonus soundtrack CD, so we’ll be focusing on a selection of the tracks from this disc today. Let’s jump in — pump up the volume!

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Teki & Nick’s Mixtape Quest Adventure: A Journey Through Classic Music

It’s been a while since we did a MoeGamer Music post, but having been presented with the ideal opportunity to put something interesting together, who was I to turn that down?

Nick Dwyer, curator of the Diggin’ in the Carts project that explores the (oft-underappreciated) history of classic video game music, reached out to me and informed me that he had been working with Parisian DJ Teki Latex and a number of other collaborators on an ambitious-sounding project called, simply Teki & Nicks’ Mixtape Quest Adventure.

What on Earth is a “mixtape as side-scrolling adventure”, as this project purports to be? Well, let’s listen and find out — and best of all, since the mix is completely free, you can enjoy it along with me. Hit the jump and let’s listen.

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Senran Kagura: An Almost-Comprehensive Look at Gessen’s Use of Classical Music

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The Gessen girls, introduced in Senran Kagura Shinovi Versus on PlayStation Vita and pretty much a fixture ever since, are certainly a distinctive lot.

Taking a rather different approach to being “good” shinobi than Asuka and friends at Hanzou National Academy, the students of Gessen Girls’ Academy learned everything they know about the world from their adoptive “grandfather” Kurokage.

And that includes their musical tastes, which is reflected in the games’ soundtracks; Gessen girls’ themes make extensive use of Western art music. So I thought that might be interesting to take a closer look at.

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Waifu Wednesday: Ikaruga

Since we’re about to kick off a veritable estival (sic) of Senran Kagura funtimes here on MoeGamer, I thought we may as well start with a relevant Waifu Wednesday.

At this point, even if you just take the console and handheld games into account and discount the two mobile games, Senran Kagura has an absolutely massive ensemble cast so it is, of course, tricky to pick a favourite from among them.

Ikaruga has been there since the beginning, however, and captured my heart and attention immediately. So it’s her under the spotlight today.

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