After the success of the Sonic games on the Mega Drive, what was next?
Sega had a difficult time ahead of it, since there was a certain amount of confusion over what the real successor to the 16-bit console would be. On the one hand, there was the American-developed, cartridge-based 32X, which would act as an add-on for the Mega Drive rather than a standalone unit. And on the other, there was the CD-based Saturn system, developed by Sega of Japan.
Clearly, in order to be a success, at least one of these new systems needed a Sonic game. But that turned out to be a rather more difficult undertaking than anyone anticipated. Continue reading Sonic the Hedgehog: The Lost Game
The Shantae series as a whole is a wonderful symbol of endurance, and of holding on to the things you believe in.
I’m not talking about the narratives of the games themselves — though for sure this theme certainly makes an appearance numerous times throughout Shantae’s career to date — but rather the fact that series creator Matt Bozon and the team at WayForward have always believed in the quality of these games, even during difficult times.
It’s gratifying to see that, at the time of writing, the Shantae series as a whole is finally coming to see some mainstream acceptance and appreciation with its latest installment 1/2 Genie Hero. But this doesn’t mean the earlier games aren’t worth checking out. Quite the opposite, in fact… so let’s go right back to the beginning.
Continue reading Shantae: You Stay
One of the key ways many people like to distinguish the stereotypically Eastern and Western approaches to role-playing games is via non-combat mechanics and progression.
It’s fair to say that, as we’ve already discussed, many role-playing games from Japan place a strong focus on combat both as a core aspect of gameplay and the central aspect of their overall progression. You can contrast this strongly with something like an Elder Scrolls game, which still involves combat at times, but, depending on how you choose to play it, can also place a strong focus on crafting, spellcraft, stealth, exploration and all manner of other aspects.
Xenoblade Chronicles has, since the first installment of the subseries, always been about something of a fusion between the linear, narrative-focused nature of Japanese games, and the more open, flexible, “emergent” gameplay of Western titles. And this tradition is well and truly intact in Xenoblade Chronicles 2.
Continue reading Xenoblade Chronicles 2: Violence Doesn’t Solve Everything
The fact that Xenoblade Chronicles 2 exists and, moreover, has been treated as a distinctly high-profile title for Nintendo’s Switch platform is nothing short of remarkable.
The Xeno series as a whole has been around for quite some time now and has been fairly consistently well-received by those who have played its various installments. But it’s been a long road for it to achieve the mainstream levels of acceptance and awareness it now enjoys. And a pretty interesting story, to boot.
So, before we dive into the game proper over the course of the next month, let’s look back at what it means to be a Xeno game, and how we got to where we are now.
Continue reading Xenoblade Chronicles 2: Introduction and History
Mighty No. 9 is an interesting tale from 21st century gaming that has doubtless been very influential… though perhaps not in the way that was originally hoped for.
One of the earliest success stories of the crowdfunding boom in the early 2010s, the Kickstarter campaign for Mighty No. 9 promised something a lot of people were hungry for: a new Mega Man game in all but name. And oh boy, people were hungry for it; the campaign smashed through its initial $900,000 goal within days of its announcement, and the final total raised through crowdfunding cleared $4 million.
It was a game that should have gone down in gaming history. Instead, its lasting legacy was as an example of how not to manage a crowdfunding campaign, and a final product that had a somewhat mixed reception. But was it actually that bad?
Continue reading Mighty No. 9: “Better than Nothing” – The Game People Love to Hate
This month on MoeGamer, we’re taking a look at a group of games that are connected primarily through the developer that created them.
That developer is Inti Creates, a group formed by ex-Capcom staff in 1996. It’s a company that is much-beloved by its fans, but which has, over the years, tended to beaver away at things quietly in the background rather than becoming a real household name like some other more high-profile Japanese development outfits.
That’s a bit of a shame, so that’s what this month is all about; specifically, it’s about the company’s recent output, presenting a variety of modern-day takes on traditional side-scrollers from the 8- and 16-bit eras.
Continue reading Inti Creates: Introduction and History
Over the course of several upcoming articles, we’re going to be taking an in-depth look at Degica’s Visual Novel Maker, a new addition to the lineup of game creation software available for home computers.
At the time of writing, the software isn’t yet on sale and I’ve only just started spending some time with it, but I wanted to take the opportunity to give a high-level overview of what the software is, what it’s capable of and what to expect from it. In the subsequent articles, we’ll take a more in-depth look at its various aspects and how to accomplish things with it.
For now, enjoy the tour, and get thinking of some ideas for your next bestseller!
Continue reading Visual Novel Maker: First Look