Tag Archives: visual novel

Cover Games, The Expression: Amrilato

The Expression: Amrilato – Introduction

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Video games have been used as a means of helping people learn things pretty much since the early days of the medium; even the humble Atari 2600 played host to basic spelling and mathematics challenges.

As technology has advanced and creators have become more proficient at using interactive media to tell stories and express themselves, more and more ways to educate people have become readily accessible.

Best of all, people have realised once and for all that we don’t need a hard divide between “games” and “educational software”, so today we find ourselves with titles like SukeraSparo’s The Expression: Amrilato, a visual novel that provides its audience with both a romantic story of blossoming love between two girls, and the opportunity to learn some Esperanto.

Continue reading The Expression: Amrilato – Introduction →

Waifu Wednesday

Waifu Wednesday: Yukino Tsubaki

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Despite PQube’s excellent Kotodama: The 7 Mysteries of Fujisawa not being a romance-centric visual novel, it has no shortage of characters — both male and female — designed to be very appealing.

My personal favourite from the ensemble cast after completing the whole thing — that is, after finding out all of their respective dirty little secrets, anxieties and woes — was, without a doubt, Yukino Tsubaki.

Allow me to explain further! Continue reading Waifu Wednesday: Yukino Tsubaki →

One-Shots

Kotodama – The 7 Mysteries of Fujisawa: Stripping Away Deceit

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Over the last few years, UK-based outfit PQube Games has become a force to be reckoned with in the localisation and publishing space.

Since its inception in 2009, PQube has brought Western fans a variety of games that might otherwise have never made it out of Japan, including Inti Creates’ Gal*Gun Double Peace and Gal*Gun 2, Kadokawa Games’ Root Letter and Red Entertainment’s Our World is Ended; they also played a key role in popularising and expanding the audiences of titles such as Nitroplus’ classic visual novel Steins;Gate and Arc System Works’ anime fighting series BlazBlue.

It’s a company serious about what it does, in other words — and so when I heard it was developing its own game for the first time, I couldn’t help but take notice. That game, Kotodama: The 7 Mysteries of Fujisawa, is finally here, so let’s take a closer look.

Continue reading Kotodama – The 7 Mysteries of Fujisawa: Stripping Away Deceit →

One-Shots

Educational Esperanto Visual Novel Struggles with Valve’s Amorphous Content Policies

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[UPDATE 22/06/2019: The Expression: Amrilato is now available on Steam! See this blog post by MangaGamer for further details. I’m leaving this story up, as the discussion points it raised remain pertinent.]

I don’t normally cover “news” here on MoeGamer, but this is something I think it’s important to talk about right now.

Prolific publisher and localiser MangaGamer announced today that its thoroughly intriguing-sounding visual novel The Expression: Amrilato, a game that combines a romantic yuri narrative with educational, linguistic content approved by Japan’s National Esperanto Association, had been released on its own storefront and GOG.com.

The game was also intended to release on Valve’s popular Steam storefront but it, like many other Japanese games and visual novels, has fallen foul of the company’s ill-defined policies regarding acceptable game content. Let’s talk about that.

Continue reading Educational Esperanto Visual Novel Struggles with Valve’s Amorphous Content Policies →

Cover Games, Our World is Ended

Our World is Ended: The Harmony of Chaos

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Doubtless many of us have thought at one point or another what it would be like to lead a “perfect” life, with nothing to worry about, nothing to fear or perhaps even nothing to think about.

Chances are these thoughts were followed up in fairly short order by the conclusion that such an existence would actually be rather tedious and boring, as desirable as it might seem when contemplated from afar. Human beings are at their best when confronted with some sort of adversity, after all, whether said adversity is something that is about to kill you or a particularly tricky error in a piece of JavaScript.

A core message at the heart of Our World is Ended is one of true diversity: the acceptance of others, regardless of how unfathomably different they might seem to you and how much of a problem it might seem to bring such disparate elements together — and how those differences, when assembled into something greater than their individual parts, can actually create something incredibly strong.

Continue reading Our World is Ended: The Harmony of Chaos →

Cover Games, Our World is Ended

Our World is Ended: Who Wants to Live Forever?

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Immortality or eternal life is often depicted in fiction as some sort of grand, ultimate goal — both for heroes and villains under various circumstances.

Normally, achieving such a lofty ambition involves any combination of magical power, epic quests, battles with mighty gods and/or fairies, but here in boring old reality we’re actually much closer to achieving that goal than you might think — albeit in a rather more mundane manner.

It all depends on your definition of “mortality” and “life”, and that’s one of the more interesting subjects that Our World is Ended explores over the course of its complete runtime.

Continue reading Our World is Ended: Who Wants to Live Forever? →

Cover Games, Our World is Ended

Our World is Ended: Worlds Apart

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One of the most interesting aspects of Our World is Ended is how it explores the idea of virtual reality and other worlds without following the usual isekai format.

Instead, what we have is an interesting tale where it’s initially not altogether clear what is fantasy and what is reality, and over time we find ourselves questioning whether certain aspects of one or the other might be preferable.

It’s a timely tale, too; with the growth in consumer-grade virtual reality hardware and a variety of companies exploring the possibilities of augmented or mixed reality, Our World is Ended offers an intriguing exploration of both the pleasures and pitfalls of such technology.

Continue reading Our World is Ended: Worlds Apart →

One-Shots

Bluemoonpark: The Most Precious Wings

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It’s always a pleasure when a developer, publisher or localiser reaches out to me and asks if I’ll take a look at their project, because it tends to expose me to things that I might otherwise have been unaware of.

In turn, I can then share those things with you, and you can check them out as well! Everyone wins.

The latest title I’ve encountered in this manner is Bluemoonpark, an upcoming Kickstarter-funded visual novel by LA-based startup Amateras Inc and Korean developers Archive Factory Creative Group and Project Team Heimdallr. Let’s take a first look!

Continue reading Bluemoonpark: The Most Precious Wings →

Waifu Wednesday

Waifu Wednesday: Asano Hayase

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If there’s one type of character voice actress Eri Kitamura knows how to play well, it’s the seemingly aggressive but actually terribly insecure tsundere.

Asano Hayase from Red Entertainment’s visual novel Our World is Ended is a great example, affording Kitamura the opportunity to demonstrate her full vocal range over the course of the character’s development and narrative threads.

Asano is also an incredibly interesting, unconventional character in her own right, so she takes her place in the spotlight this week.

Some spoilers for Our World is Ended ahead!

Continue reading Waifu Wednesday: Asano Hayase →

Cover Games, Our World is Ended

Our World is Ended: First Impressions are Lasting Impressions

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A common theme explored throughout the visual novel medium in general is the idea of people not being quite what they appear at first glance.

The reason for this is mostly a practical one: the very nature of the visual novel medium makes deep dives into multifaceted, layered characters a viable thing for creators to explore. Enthusiasts of visual novels are already accustomed to the medium’s slow pace and relatively limited interactivity compared to games with a stronger emphasis on their mechanical components, so writers and developers are more than happy to allow us the opportunity to get to know the main cast extremely intimately.

That doesn’t mean those first impressions the characters set don’t matter, mind you. On the contrary, they are extremely important for setting expectations as to how those characters will behave and interact — and then, in some cases, subverting rather than confirming those expectations. Let’s take a look at how Our World is Ended’s cast presents itself in the early hours of the game as the narrative is getting underway.

Continue reading Our World is Ended: First Impressions are Lasting Impressions →