Tag Archives: Amaterasu

Atelier Mysterious

Atelier Firis: The Alchemist and the Mysterious Journey – What I Want to Do

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cropped-atelier-megafeature-header-1-8868334This post is one chapter of a MegaFeature!
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As we started to explore in the previous part of this feature, one of the things that makes Atelier Firis so interesting as a modern role-playing game is that once you’re into the game’s “second quest”, there’s no set goal where you can say that you have definitively “finished” the game.

I mean, okay, if you do literally everything the game has to offer, fill out all the collections to 100%, max out all your characters and make it so the only quests available are repeating ones, then yes, you’ve probably “beaten” Atelier Firis. But what I mean is that for people who aren’t obsessive completionists, you can pretty much choose what your own personal “win state” is, reach that condition and then, if you choose, set the game aside.

If you’re anything like me, of course, the temptation to just have “a quick look” at what else the game has to offer may be too much to bear, however… so let’s talk about this side of things, with a particular focus on what it means for Atelier Firis’ overall narrative.

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Cover Games, Ne no Kami

Ne no Kami: Exploring Shinto Myths and Legends

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ne-no-kami-header-9620182This article is one chapter of a multi-part Cover Game feature!
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One of the best things about the visual novel medium is its ability — and willingness — to tackle things that are outside the normal remit of “video games” as a whole.

In the case of Ne no Kami: The Two Princess Knights of Kyoto, a visual novel from small, independent Japanese circle Kuro Irodoru Yomiji, there’s a certain degree of “crossover” in terms of subject matter. We have the sort of “plucky young heroes tackle otherworldly horrors” angle that we’re most used to seeing from more conventional video games, but at the same time we also have some sensitively handled exploration of romantic relationships, disparate cultures colliding and young people trying to find their place in the world.

Of particular note is Ne no Kami’s exploration of traditional Japanese and Shinto mythology, an angle which it takes great pains to point out is only its author’s interpretation rather than “fact”. But this doesn’t make it in any way “invalid”, of course; mythology, by its very nature, doesn’t have any “factual” basis in the first place, and has only survived so long by being reinterpreted and passed on across thousands of years.

Before we investigate the game’s story in detail, then, it behooves us to have a general understanding of the mythology on which it is based.

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