Tag Archives: 428: Fūsa Sareta Shibuya de

Waifu Wednesday

Waifu Wednesday: Maria Osawa

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Before we bid 428: Shibuya Scramble a fond farewell from the Cover Game spotlight, I wanted to give some love to one of its main characters.

Since many of the articles on MoeGamer deal with the core narrative themes of the games under the microscope, I don’t typically bother with spoiler warnings. However, in this instance, I will preface today’s article with one, since… well, to explain why would probably in itself constitute a major spoiler for 428: Shibuya Scramble. So consider yourself warned.

Armed with that knowledge, then, let’s spend some time with Maria Osawa!

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428 Shibuya Scramble, Cover Games

428: Shibuya Scramble – In Search of the Truth

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Many games these days make a point of providing some sort of “added value” over and above their base experience. Be it a postgame chapter with stiff challenges, post-launch DLC or a New Game Plus mode, these features are typically there to keep you playing even after you see the credits roll.

Visual novels, as an offshoot of video games, aren’t typically known for having substantial postgame content other than the “metagame” that multi-route titles have: seeing all the possible narrative routes and collecting all the CG illustrations. But, as we’ve already established fairly comprehensively in this feature already, Spike Chunsoft’s 428: Shibuya Scramble isn’t a game to do things… “conventionally”.

Oh, sure, the base game has 85 “bad ends” to collect (with a series of trophies and achievements attached to these, encouraging you to seek them out rather than avoid them — and it’s worth doing so because several are very odd indeed!) as well as a “normal” and a “true” ending, but once you’ve seen the main narrative through to a satisfactory conclusion, you’re not done. Not by a surprisingly long shot.

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428 Shibuya Scramble, Cover Games

428: Shibuya Scramble – A Question of Identity

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Well, it’s time to unravel some of the mysteries at the core of 428: Shibuya Scramble. And there are plenty of them!

Not only that, but “beating” the game isn’t the end, either; once you’ve seen the “normal” or “true” endings, there are other, more deviously hidden scenarios to track down… but that’s a tale for another day. Today, we’re going to focus on the how the game explores its various protagonists and one of its most important core themes.

Let’s step back into Shibuya, then… the beating heart of one of the world’s busiest cities.

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428 Shibuya Scramble, Cover Games

428: Shibuya Scramble – The Mechanics of Storytelling

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cropped-header-5671442This article is one chapter of a multi-part Cover Game feature!
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When we’re talking about conventional games — particularly today’s games — it’s important to consider them from a wide variety of perspectives.

Typically, we look at a game from several different angles: the way it’s presented through its sights and sounds; the way it plays through its mechanics; and, where applicable, how it handles its story.

When contemplating visual novels, the balance tends to be a little different. We tend to up the focus on narrative considerably, and in many cases mechanics don’t enter the picture at all — many visual novels simply don’t have any! That is, unless you’re 428: Shibuya Scramble, in which case your narrative and mechanics combine together to produce something exceedingly interesting…

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Waifu Wednesday

Waifu Wednesday: Aya Kamiki

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We’ve had celebrities putting in appearances in video games for a good while now, mostly as voice actors, but it’s quite rare to see a performer appear in a game as themselves.

Japanese singer, actress and model Aya Kamiki evidently saw a good opportunity back in 2008, though, and played a part in Spike Chunsoft’s sound novel 428: Shibuya Scramble. Quite a substantial one, too, despite not being one of the main actors; her face is plastered all over billboards and electronic displays in the in-game rendition of Shibuya (which is represented entirely through photographs and full-motion video), her song Sekai wa Sore Demo Kawari wa Shinai is heard numerous times throughout the narrative and she even puts in an in-person appearance for one brief moment during the main story.

It’s an inventive way to promote yourself, for sure, and adds to the overall believable atmosphere of Spike Chunsoft’s game. But who, exactly, is Aya Kamiki?

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