Tag Archives: Cave

Shmup Essentials: Muchi Muchi Pork

Although rather less active than it once was, Cave was once an extremely prolific producer of some highly varied and creative shoot ’em ups.

Some of their series — such as DoDonPachi, Espgaluda and Deathsmiles — managed to attain mainstream appeal, or at least the closest thing an arcade-style shmup can get to “mainstream appeal” in this modern age. But others are largely unknown for one reason or another.

Muchi Muchi Pork very much falls into this latter category.

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Shmup Essentials: DoDonPachi Resurrection

My first encounter with DoDonPachi Resurrection — also known as DoDonPachi DaiFukkatsu — was in its iOS incarnation.

I’d never really played a danmaku shooter before, so it was to be a new experience to me, but I’d been assured by people whose opinions I trusted that I would have a good time with it. Those assurances turned out to be emphatically true — which is just as well, because at the time I originally purchased it, DoDonPachi Resurrection was rather expensive for a mobile game.

Since that fateful initial encounter several years back, I’ve since sought out the various other versions of this game, and have found it an incredibly challenging but rewarding experience whatever form it takes — and absolutely one of Cave’s finest games to date.

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Shmup Essentials: Deathsmiles

Although it’s been rather quiet for a while, the Japanese company Cave has long been known as one of the best developers of modern shoot ’em ups out there.

With most of their titles falling into the danmaku (“bullet hell”) subgenre, their titles have a reputation for being challenging and punishing but highly polished, combining solid mechanics with absolutely beautiful presentation and a delightful blend of “old and new”.

Deathsmiles is one of the company’s most well-regarded recent works, and is a great example of what “frantic shooting” is all about — not to mention a fine showcase for Cave’s mastery of game mechanics that go far beyond simply “shoot everything and don’t die”.

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