Tag Archives: VNs

Class of ’09: of cynicism and sociopathy

I’ve been a little leery of western-developed visual novels for a while now. I know that there are some genuinely good ones out there — but there are also a lot that play up the obnoxiously ironic, self-referential angle to such a degree that they’re hard to take seriously.

I’m not sure what made me think that Class of ’09, which describes itself as “the anti-visual novel” would be any different, but nonetheless something attracted me to it and made me think it might actually be worth a look. The fact it was £3 on sale at GOG.com helped, too, I must admit — even if it turned out to be complete horseshit, I would have spent less than the price of a cup of coffee on it.

Thankfully, it did not turn out to be complete horseshit. Nor, I’d argue, did it turn out to really be that which it described itself as. But it did turn out to be an enjoyable, worthwhile experience that I’m glad I spent four hours playing through. So let’s take a closer look at exactly why.

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Waifu Wednesday: Yasuko Yamanouchi

At the time of writing, I haven’t yet finished a full readthrough of Kogado Studio’s Nurse Love Syndrome, but I did want to show some love for one of its main characters. (And probably some more in the near future.)

For the unfamiliar, Nurse Love Syndrome is a visual novel that explores new nurse Kaori Sawai’s early days on the job, and everything that entails — both good and bad. Yasuko Yamanouchi is a character who is introduced early on as one of the more experienced members of the nursing staff but… well, let’s just say she’s a bit of a character.

And she’s voiced by Yumi Hara, too, so if you ever wanted to hear Yumi from Senran Kagura playing someone who isn’t Yumi for once… well, now’s your chance!

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The Three Ages of Visual Novels

With this month’s Cover Game being one of the most influential, well-regarded visual novels of all time, it seems only right and proper to take a look at the history of the medium as a whole.

To date, there have been three main “eras” of visual novels that can be clearly distinguished through a combination of their visual style, thematic content, gameplay elements (if any) and breadth of appeal. Of course, things aren’t quite as neat and simple as that might suggest, with some modern works deliberately channeling older styles, or some older works being ahead of their time, but it’s a working hypothesis to start from.

And, since visual novels form an extremely important part of both Japanese gaming and Japanese popular media in general, it’s worth tracing the route things have taken to get to where we are today.

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