Tag Archives: Supipara

From the Archives: On the “Idiocy” of Interactive Storytelling

Back at the end of November 2012, this article appeared over on community-led games writing site Bitmob (now folded into VentureBeat’s GamesBeat).

For those too lazy to follow the link and/or read the article, the gist is as follows: Shawn McGrath, creator of the psychedelic abstract shooter Dyad for PlayStation 3, made some rather bold proclamations on how inappropriate he thought video games were as a medium for telling stories.

Specifically, he noted that “linear story and interactive anything are diametrically opposed,” that they “make no sense together at all” and that “any attempt to put storylines in games in any traditional sense is completely idiotic.”

Strong words indeed. So what was his justification for this?

This article was originally published on Games Are Evil in 2012 as part of the site’s regular READ.ME column on visual novels. It has been republished here due to Games Are Evil no longer existing in its original form.

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From the Archives: Culture Shock

One of the things video games are particularly good at as an entire medium is allowing you to immerse yourself in… things.

Exactly what you’re able to immerse yourself in depends entirely on the game — in Microsoft Flight Simulator you can immerse yourself in a realistic depiction of what it is like to fly a real aircraft, for example, while in Xenoblade Chronicles you can immerse yourself in a well-realized fantasy world.

One interesting possibility that this immersiveness allows for is the ability to “live” in another culture. For Westerners, it’s particularly intriguing to be able to immerse oneself into Japanese culture, for example, which is in many ways rather alien to the societal norms we see in America and Europe. Of course, said societal norms vary even between America and Europe, but not quite so drastically as the divergence in culture between “East” and “West.”

This article was originally published on Games Are Evil in 2012 as part of the site’s regular READ.ME column on visual novels. It has been republished here due to Games Are Evil no longer existing in its original form.

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Supipara: A Tale of the Greatest of Smiles

minori’s Supipara, a collection of five visual novels, the first of which has been localised by MangaGamer, is in an interesting situation. It’s a series that doesn’t quite exist yet.

As the series microsite notes, Supipara is an ambitious undertaking for both developer minori and localiser MangaGamer; while the first two chapters currently exist in Japan (albeit as a single game), and the first of these has already been localised into English, the future of the series is largely up to visual novel enthusiasts.

Rather than relying on crowdfunding as developers such as Frontwing and localisation outfits such as Sekai Project have done in the past, minori and MangaGamer are instead ploughing the combined profits from Supipara’s first chapter and science fiction love story eden* directly back into the series, with various milestones allowing the companies to continue their collaboration and — hopefully, anyway — see the Supipara project finally brought to complete fruition.

Having finished reading the first chapter of Supipara last night, I would very much like to see the remaining chapters become a reality. And if you’re a fan of visual novels, checking out Supipara’s first chapter is an eminently pleasing way to spend twelve or so hours of your life.

Why? Read on.

Continue reading Supipara: A Tale of the Greatest of Smiles