HuniePop from Ryan Koons’ studio HuniePot was partly developed as a sort of “protest” game: an attempt to fight back against the growing trend of political correctness that was starting to take root in the games industry.
There was clearly demand for such a game, even back in late 2013; a successful Kickstarter campaign allowed those who were similarly frustrated with the situation to put their money where their mouth was and show their support for the kind of thing they wanted to see more of: something lewd, crude and rude — and unashamed of being any of those things.
The remarkable thing about HuniePop was that it ended up being a damn good game as well as a resounding middle finger to the “everything is problematic” crowd. Not only that, it also demonstrated that independent Western developers were more than capable of putting interesting new twists on Japanese-style aesthetics by combining anime-style artwork with a hilariously abrasive and distinctively modern, American script.
Continue reading Puzzler Essentials: HuniePop
Puyo Puyo Tetris is cause for great celebration, particularly for those of us who have been missing certain aspects of “the good old days” of gaming, whenever those might have been in your personal opinion.
Why is it noteworthy? Well, numerous reasons: it’s one of the few Puyo Puyo titles to have made it West without significant modifications or complete rebranding; it’s a reinterpretation of Tetris that doesn’t suck (EA and Ubisoft, pay attention); and perhaps most importantly, it’s a standalone puzzle game that not only isn’t a microtransaction-riddled, play-throttling mobile phone game with infuriating touch controls, it also got an actual, honest-to-goodness physical release. In fact, in the case of the PlayStation 4 version, the physical release is, oddly, the only way to get hold of a copy.
It’s also an absolutely cracking game, so let’s take a closer look at what it offers to puzzler aficionados.
Continue reading Puzzler Essentials: Puyo Puyo Tetris
Multiplayer online shooters are notorious for being incredibly popular, but not particularly welcoming to newcomers.
Doubtless most of you reading have experienced at least one occasion where, while attempting to learn a new game, you were berated for being a “noob”, or utterly dominated by an experienced player taking advantage of the “fresh meat” on the map. With determination, you can push beyond this, of course, but it’s not something that everybody finds particularly palatable or fun.
Which is why Splatoon is such a wonderful piece of game design from Nintendo. By shifting the focus away from attacking other players directly while simultaneously removing the most common ways for people to be jerks to one another — i.e. voice and text chat — it created one of the most accessible, enjoyable takes on the multiplayer shooter ever created, and a game that even people who typically dislike multiplayer shooters can enjoy.
Continue reading Wii U Essentials: Splatoon