Tag Archives: PC

Essentials, Shmups

Shmup Essentials: Dariusburst Chronicle Saviours

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A common criticism of arcade-style shoot ’em ups by people who don’t understand that the main “point” of them is to replay them over and over for high scores is that they’re “too short” or “don’t have enough content”.

This is one criticism that most certainly cannot be levelled at Dariusburst Chronicle Saviours, the most recent installment in the long-running shmup series. Featuring a full port of the super-widescreen 32:9 arcade version of Dariusburst Another Chronicle EX — including its 3,000+ stage “Chronicle Mode”, which is communally unlocked by players from all over the world — as well as an all-original 200+ stage “Chronicle Saviours” (usually shortened to just “CS”) mode designed specifically for 16:9 displays and a single player, Dariusburst Chronicle Saviours most certainly isn’t a game you can accuse of being “over in 20 minutes”.

It’s also one of the most expensive shoot ’em ups available in the modern market, even compared to the relatively premium prices that Cave’s back catalogue has historically commanded. But is it worth splashing out on? Spoiler: yes; but read on if you’d like to know more.

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Essentials, Shmups

Shmup Essentials: Eschatos

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Sometimes a game doesn’t need to do anything especially new to be a great experience. Sometimes it just has to do what it does really, really well.

Qute’s Eschatos, originally released only in Japan for Xbox 360, then subsequently ported to PC by Degica, very much falls into this category. On paper, it’s an incredibly conventional vertically scrolling shoot ’em up.

When you play it, however, you’ll realise that it’s something really rather special: a shoot ’em up that is both accessible to newcomers and challenging to veterans, and a game that manages to impart a strong sense of “narrative” and progression to its overall experience despite not really having a plot to speak of.

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Essentials, Shmups

Shmup Essentials: Zangeki Warp

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The shoot ’em up genre, having been around pretty much as long as the concept of “video games”, is relatively set in its ways.

When you think about it, this isn’t all that surprising. When the core concept of your game is as simple as “shoot everything, don’t get shot and don’t crash into anything”, there’s only so much you can do to iterate on that concept. And so most modern shmups distinguish themselves primarily through carefully choreographed enemy and bullet patterns, unique audio-visual design and a sense of “spectacle”. In other words, it’s relatively rare to find a modern shmup that does things a little differently in mechanical terms.

Japanese doujin circle Astro Port is one of a few developers that likes to regularly mix things up in the genre. And its latest release Zangeki Warp is just one such example.

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From the Archives, READ.ME

From the Archives: Aselia the Eternal’s World Made of Words

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I’m an RPG fan, and yet I typically find myself drawn to more linear experiences rather than open-world affairs.

Specifically, I often find that the richly-detailed worlds of titles like Skyrim leave me cold due to their lack of “personality”, for want of a better word — they may be beautiful to look at and packed with things to do, but there’s no emotional connection there.

I’d like to expand on this a little for this week’s READ.ME column, with particular regard to Aselia the Eternal, which we last looked at a couple of weeks ago.

This article was originally published on Games Are Evil in 2012 as part of the site’s regular READ.ME column on visual novels. It has been republished here due to Games Are Evil no longer existing in its original form.

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Essentials, Shmups

Shmup Essentials: Minus Zero

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Shoot ’em ups are one of the oldest types of video game, having been around pretty much since the birth of the medium. So in order to stand out in this modern era, a new shmup needs to either do what it does really well… or do something unusual.

Triangle Service’s Minus Zero, originally released as part of the Xbox 360 compilation Shooting Love 200X in 2009, opts for the latter approach. It’s one of the most unusual shoot ’em ups out there — and one of the most addictive.

It’s a completely abstract game, consisting entirely of geometric shapes accompanied by a background and soundtrack that increase in complexity as you progress, but its main twist on the usual formula is that the only weapon you can use is a “lock-on” similar to that used in Sega’s Rez.

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From the Archives, READ.ME

From the Archives: Aselia the Eternal and the Balance of Story and Game

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A few weeks ago, we spent this column discussing the reason why we play different types of game.

The answer is, of course, different for everyone, but in the case of visual novel fans, most people will cite “story” as their main motivation to continue — even if the actual “gameplay” side of the title is left significantly wanting in the eyes of some people.

Take the title My Girlfriend is the President, which we discussed a while back, for example — in that game, once you’ve chosen which of the game’s four “paths” you’re going to undertake, there are absolutely no decisions to make that have any impact on the way the story ends at all, and yet that does not stop it from being a hugely entertaining and satisfying experience.

This article was originally published on Games Are Evil in 2012 as part of the site’s regular READ.ME column on visual novels. It has been republished here due to Games Are Evil no longer existing in its original form.

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From the Archives, READ.ME

From The Archives: Darkness and Scissors – The Horror of Corpse Party

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If you have a PSP (or Vita) then you really owe it to yourself to pick up a copy of the magnificent Corpse Party from Team GrisGris, localised by XSEED. (Editor’s note: Since this article was written in 2012, you can now also get a version of the game for 3DS and PC, though note that these are slightly different to the version under discussion here.)

While initially resembling a top-down SNES-era role-playing game more than a traditional visual novel, it quickly becomes apparent that this is a game where story — and, more importantly, atmosphere – is king.

This article was originally published on Games Are Evil in 2012 as part of the site’s regular READ.ME column on visual novels. It has been republished here due to Games Are Evil no longer existing in its original form.

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One-Shots

Negligee: Pretty Girls in Sexy Pants

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With a title like “Negligee”, you probably think you know what you’re getting — and in this case, you’d probably be right. Mostly.

Negligee is a short visual novel from the UK-based (but heavily Japan-inspired) developer Dharker Studio, whose previous work has included Beach Bounce, Summer Fling and Club Life, among others. To date, the team has put out works encompassing both “slice of life” romance stories and more fantastic, outlandish tales incorporating magic and sci-fi. Negligee falls very much into the former category by being about as down-to-earth as you can get.

But is it just an excuse to depict its heroines in a variety of revealing lingerie, or is there something more to it? Read on, and let’s take a closer look.

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Cover Games, Gal*Gun Double Peace

Gal*Gun: Sights and Sounds

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cropped-galgun-header-6105140This article is one chapter of a multi-part Cover Game feature!
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Gal*Gun Double Peace is memorable for a whole lot of different reasons: its contribution to the revival of rail shooters, its silly but touching plot and its striking audio-visual aesthetic.

Unlike many other anime-inspired games, the art and music of Gal*Gun are not the work of particularly well-known or established names — but there’s some decent pedigree there if you take the time to look into things a bit more deeply.

So let’s do just that, shall we?

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One-Shots

Delicious! Pretty Girls Mahjong Solitaire: Exactly What it Sounds Like

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You have to respect a game that is up-front about what it is; one that says to you “we both know why you’re here.”

Japanese developers and localisers — particularly in the visual novel sector, and especially when it comes to nukige, or games where the main point is sexual content rather than narrative — are good at this sort of frank honesty; browsing, for example, MangaGamer’s (emphatically not safe for work) front page reveals titles such as Boob Wars: Big Breasts vs Flat Chests, Busty Maid: Creampie Heaven and the gloriously self-aware Eroge: Sex and Games Makes Sexy Games.

Devleoper-publisher Zoo Corporation is no stranger to this practice, either, with its various labels Norn, Cybele, Miel and Yumesta each putting out a variety of games with fairly self-explanatory titles. Prior to 2015, the only Zoo title we’d seen in the West was 1994 puzzler BreakThru! — which Tetris creator Alexey Pajitnov had his name attached to despite having very little to do with — but all that changed with the release of Mahjong Pretty Girls Battle in January of that year.

A new series was born, with Delicious! Pretty Girls Mahjong Solitaire being its latest installment. And, you know, it’s pretty good, particularly considering its ludicrously cheap price at the time of writing.

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