Tag Archives: parody

Cyberdimension Neptunia: Art Imitates Life

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The Neptunia series has always, at least in part, been about taking a sidelong glance at elements of popular culture, particularly those related to video games, and Cyberdimension Neptunia: 4 Goddesses Online is no exception.

Through its overall aesthetic — particularly its art and music — it both pays homage to and parodies a variety of influences in both the online and offline role-playing game spheres, but in doing so it manages to retain a strong enough sense of its own identity to still be clearly recognisable as a Neptunia game.

In fact, through the combination of Tsunako’s distinctive character designs, their energetic scripts and their light-hearted, inclusive nature that draws the player in to the experience, there’s a strong argument for Neptunia games being some of the most immediately recognisable Japanese games on the market today. And I’m all for that.

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Chaos Dunk Advisory: 10 Year Warning

A very important game in the cross-cultural canon turns 10 years old today: Barkley, Shut Up and Jam: Gaiden, or, to give it its full title, Tales of Game’s Presents Chef Boyardee’s Barkley, Shut Up and Jam: Gaiden – Chapter One of the Hoopz Barkley SaGa.

One of the most interesting, unusual and genuinely good freeware projects out there in the wild, Barkley, Shut Up and Jam: Gaiden, as we shall refer to it hereafter, is a JRPG-inspired game that every fan of the genre owes it to themselves to spend some time with… and that even people who don’t find themselves typically into JRPGs can also have a great deal of fun with, too.

Positioned as a sequel to both the 1993 Mega Drive sports game Barkley, Shut Up and Jam and the 1996 live action/Looney Tunes hybrid movie Space JamBarkley, Shut Up and Jam Gaiden is a highly creative sci-fi parody that pokes fun at a whole ton of things over its relatively short runtime, but manages to do so without ever feeling mean-spirited or like it’s “trying too hard”. And that, if nothing else, is reason for celebration.

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Cyberdimension Neptunia: Narrative, Themes and Characterisation

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One of the interesting things about the Neptunia series as a whole is that it doesn’t really have an overarching “big plot” as such, but nonetheless sees each of its characters getting plenty of development.

Cyberdimension Neptunia: 4 Goddesses Online is an especially intriguing case in that, although it is a spinoff title from the main series, previous examples of which have been regarded as non-canonical, it feels like one of the most significant instances of each member of its main cast “advancing” in their overall development and growth.

In fact, in many ways, the fact Cyberdimension Neptunia does not feature a prominent note that it is a non-canonical installment can lead us to believe that it is a quasi-sequel to Megadimension Neptunia V-II and its predecessor Hyperdimension Neptunia Victory/Re;Birth3, particularly given the presence of characters who were introduced in those games, such as Plutia and Peashy (Victory/Re;Birth3) and Uzume (V-II). And in that context it’s actually a very significant installment in the series from a narrative perspective.

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Space Live: Flawless Fanservice

Sometimes a good palate-cleanser is just what the doctor ordered, and that’s exactly what Space Live: Advent of the Net Idols provides.

Developed as a West-first release by a collaborative effort between Da Capo creator Circus and localisation specialists MangaGamer, Space Live markets itself as a “short and sweet visual novel that will add some kick into your step for the week” — an eminently accurate description.

It’s not a visual novel that’s attempting to say anything deep and meaningful, nor is it attempting to wow you with its technical proficiency, big budget and days-long play time. It’s simply a bit of fun, aimed with a laser-sharp focus at Western fans of Japanese popular media, and it succeeds admirably at what it does.

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