Tag Archives: MeiQ

Community, One-Shots

Seven Arbitrarily Chosen Things You’re Missing Out On If You’ve Been Operating Under the Mistaken Belief that JRPGs are “Dead”

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It seems that every time we get a new Dragon Quest, Final Fantasy or Persona release, we have the same old “we’re having a JRPG renaissance!” discussion.

Well, dear reader, with my coverage of Death End Re;Quest on the horizon at the time of writing and plenty more RPGs in our shared futures, I’m here to remind you that RPGs have been alive and well ever since what people think of as their “golden age” — the SNES and PS1 eras. This will not be a shock to some of you reading this, of course, but I’m sure there are quite a few people out there who have passed up some wonderful experiences for one reason or another.

So with that in mind, I thought I’d do a list of seven arbitrarily chosen things that you might have missed out on if you’ve been operating under the grossly mistaken assumption that the role-playing game genre has somehow been “dead” despite plenty of evidence to the contrary. Here we go!

Continue reading Seven Arbitrarily Chosen Things You’re Missing Out On If You’ve Been Operating Under the Mistaken Belief that JRPGs are “Dead” →

One-Shots

Reflections on PlayStation Vita

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At the time of writing, Sony has just announced that production of the PlayStation Vita will be ending in 2019, with no plans for a successor.

This follows news from earlier this year that we’re counting down the days until the last Western physical Vita release, with many of the last releases coming in limited form from boutique publishers such as Limited Run Games and Special Reserve.

With all that in mind, I think it’s about time we looked back over this remarkable and vastly underappreciated system’s life… and celebrated the things it did really,Β reallyΒ well.

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Community

The One-Liner Challenge

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Time for a Community tag post! This one looked like a particularly fun one, and after the lovely Irina from I Drink and Watch Anime specifically requested me to do one about games, who was I to refuse?

The original tag came from The Awkward Book Blogger and was based around, as you might expect, books — but it has since expanded to encompass anime and now, thanks to my contribution, games as well.

So let’s jump right in. After the jump. Jumpy jumpy jump.

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Features, MoeGamer Awards 2017

The MoeGamer Awards: Saving the World with Only Girls

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The MoeGamer Awards are a series of made-up prizes that give me an excuse to celebrate games, concepts and communities I’ve particularly appreciated over the course of 2017. Find out more and suggest some categoriesΒ here!

Today’s category comes to us from SoriasSire, who left some great ideas in the comments of this post just like you (yes, you!) should go and do right now. SoriasSire is also a longtime supporter of the site and Japanese gaming in general, so a hearty thank-you for your ongoing support!

It’s a popular misconception among people who don’t know any better (or do any research) that we have a shortage of badass female lead characters in video games, but nothing could be further from the truth — particularly in Japanese gaming. This award aims to celebrate an awesome example of an all-female ensemble cast that we’ve explored over the course of 2017.

And the winner is…

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Cover Games, MeiQ

MeiQ: Narrative, Themes and Characterisation

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Dungeon crawlers aren’t historically associated with having particularly strong stories, perhaps largely due to their origins as mechanics-heavy games with player-created parties.

A number of recent Japanese takes on the subgenre — including, among others, Demon Gaze, Operation Abyss and Dungeon Travelers 2 — have proven it is possible to blend mechanically sound, deeply absorbing dungeon crawling with a strong sense of narrative, however.

MeiQ is the latest game to follow this trend, featuring an imaginative steampunk-cum-sci-fi tale revolving around a strong, all-female central cast of characters.

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Cover Games, MeiQ

MeiQ: Building a Better Dungeon

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A good dungeon crawler has two aspects it has toΒ nailΒ in order to be successful: combat and exploration.

Japanese takes on the genre often tend to incorporate a strong sense of narrative and characterisation to the experience, too — and certainly MeiQ: Labyrinth of Death is no exception to this —Β but at its core, a dungeon crawler is about 1) navigating your way through a series of increasingly complicated mazes, and 2) kicking the snot out of any monsters who appear to block your path.

We’ve already talked aboutΒ MeiQ’sΒ interesting and unconventionalΒ combat, progression and equipment mechanics. So now let’s take a closer look at its approach to dungeon design.

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Cover Games, MeiQ

MeiQ: Girls and Guardians

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This article is one chapter of a multi-part Cover Game feature!
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By attempting to provide an accessible dungeon crawler experience, MeiQ has put itself in an interesting position.

Too much mechanical depth and it will alienate the very people it’s hoping to attract. But not enough depth and the hardcore gridder enthusiasts will tire of it long before things get interesting. How to approach this, then?

Through a combination of approaches, as it happens, and the result is both effective at what it does and surprisingly distinct in a subgenre that is sometimes accused of taking a bit of a “cookie-cutter” approach.

Let’s take a look at the game’s mechanics in more detail.

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Cover Games, MeiQ

MeiQ: Introduction and History

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First-person, grid-based dungeon crawlers have, over the years, become the place to go for those who like hardcore, mechanics-driven, combat- and exploration-centric role-playing games.

Often de-emphasising narrativeΒ in favour of deep customisation, challenging encounters and devious level design, the dungeon crawler has gone from strength to strength over the last few years in particular, but also remainsΒ a subgenre that is notoriously difficult to get into.

Its with this in mind that Idea Factory and Compile Heart developedΒ MeiQ: Labyrinth of DeathΒ (orΒ Death Under the LabyrinthΒ as it was known in Japan) — it’s designed to be accessible and enjoyable even to newcomers, yet incorporate the elements of the genre that longstanding fans enjoy so much. And it’s very successful at what it does.

So how did we get here?

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